How to Use Keyframes to Zoom In and Out in PowerDirector
Bring viewers closer to the action without moving the camera.
Updated Oct. 25, 2026 · 5 min read
In a hurry? Use the Keyframe Zoom quick guide instead.
A keyframe sets how a clip looks at one moment, and PowerDirector fills in the movement between two keyframes. In Pan / Zoom, keyframes let you zoom in toward the part of the frame you choose, hold the shot, and zoom back out. You get camera-style zooms from footage you've already shot.
- Double-click the clip, then under the Video tab click Pan / Zoom.
- Put the playhead where the move should start and click Add Keyframe.
- Move the playhead to where it should finish, then drag the blue focus area to the zoom level you want. A keyframe is added for you.
- To zoom back out, click Duplicate Keyframe where the zoom-out should start and choose Duplicate from Previous Keyframe. Then move the playhead to where the zoom-out ends, widen the blue area again, and click OK.
Zooming with Keyframes
Prefer to watch? Here's the whole thing in a 4-minute video, or follow the written sections below.
What a Keyframe Actually Is
Think of a keyframe as a note to PowerDirector: at this moment, the shot looks like this. You only describe two moments, such as "full frame" at the start of a clip and "zoomed in on the face" halfway through. The software then generates the movement between them.
Open Pan / Zoom
Everything below happens inside Pan / Zoom. Double-click the clip to open the Edit panel, then click Pan / Zoom in the Tools list under the Video tab.

Zooming a Photo
For a photo on the timeline, Pan / Zoom works a little differently. Double-click the photo, and on the Image tab under Tools click Pan / Zoom. Instead of keyframe buttons, you get a grid of motion templates such as Classic and Vertical Up. Pick one to apply it as is.

For the keyframe controls you use on a video clip, click Custom, the second tile in the grid. The Pan / Zoom window opens with the keyframe buttons under the preview, so the steps below work for the photo too.


Or click Advanced below the grid to set keyframes in Advanced Overlay Editing. Park the playhead and click the diamond beside Position / Size / Flip to add a keyframe. Then change the photo's size or position in the preview. The Position and Scale rows under the preview show every keyframe you've added.

Steps to Zoom In with Keyframes
A zoom needs a start and an end. If the zoom starts at the very beginning of the clip, PowerDirector has already put a keyframe there, so you can skip to Step 3.

Step 1: Move the Playhead to Where the Zoom Starts
For a zoom that starts partway into the clip, drag the playhead on the bar below the preview to the moment it should begin.

Step 2: Click Add Keyframe
Click Add Keyframe, the diamond with a plus sign in the row of buttons under the preview. That pins the shot as it currently looks, so nothing drifts before the point you chose.

Step 3: Move the Playhead to Where the Zoom Ends
Now drag the playhead to the moment the zoom should finish. The zoom takes as long as the gap between your starting keyframe and this point.

Step 4: Adjust the Blue Area to Set the Zoom Level
Drag the corners of the blue focus area inward. Whatever is inside that box fills the frame, so a smaller box is a tighter shot. Changing the box while the playhead is parked adds a keyframe for you.
On the right, Aspect ratio locks the box to a shape such as 16:9. The Scale fields set its size as a number instead of a drag.

The white dot in the middle of the box is the center of the shot. Hover over it until the cursor turns into a cross, then drag to slide the framing. That turns a plain zoom into a push toward one side of the picture.

Steps to Zoom Back Out
Step 1: Move the Playhead to Where the Zoom-Out Starts
Drag the playhead to the moment the zoom-out should begin. Leave a gap after the zoom-in if you want the shot to hold still for a moment first.

Step 2: Click Duplicate Keyframe
Click Duplicate Keyframe, the double diamond just right of Add Keyframe. Then choose Duplicate from Previous Keyframe to copy the zoomed-in framing to this point.


Duplicate is what holds a shot still. Two keyframes with the same values mean nothing changes between them, so the shot holds until the zoom-out starts.
Step 3: Move the Playhead to Where the Zoom-Out Ends
Then drag the playhead to where the shot should be wide again. The zoom-out takes as long as the gap between the duplicated keyframe and this point.

Step 4: Widen the Blue Area Again
Drag the corners of the blue area back out to the framing you want. Then click OK at the bottom right of the window to save the whole animation.

Read the Keyframe Row
The row of diamonds under the preview is the whole animation, and the gaps between them matter most. A gap between two different values is movement, and a gap between two identical values is stillness.

Fix a Keyframe
To move a keyframe in time, drag its diamond along the bar under the preview. To change it, click the diamond so the playhead jumps to it, then adjust the blue area again. To remove it, click the diamond and then Remove selected keyframe, the diamond with a minus sign just left of Add Keyframe.

We tested these steps in PowerDirector 365 versions 23.5 and 25.0.10 on Windows.
Don't have PowerDirector yet? Keyframes are the idea behind most of the movement you see in edited video, and two of them is enough to start.
Download PowerDirector Free →FAQ About Keyframes and Zooming
Two keyframes next to each other have different values, and PowerDirector fills the gap between them with movement. To hold a shot, give both ends of that stretch the same framing with Duplicate Keyframe.
No. Park the playhead where you want the move to finish and change the blue focus area. The keyframe is created for you. Click Add Keyframe yourself only when you want to pin the current look without changing anything, usually at the start of a move.
It can, for the same reason any crop can: you are filling the frame with part of the picture rather than all of it. Footage with more resolution than your project needs has room to spare. A modest push into 4K footage in a 1080p project holds up, while the same move on 1080p footage will soften.



